after releasing some cross-eyed dance floor burners on district of corruption, little helpers and bar25, pablo roman alcalá aka beaner brought some seriously sexy bent grooves over to brooklyn for those ever lasting late night benders. his first ep for thema was a dark and tangled ode to the drug-addled prose of author, denis johnson, which was well received by a slew of various deranged djs. this time he returns to stake his place on the dance floor with four deep, fractured after-hours jams. the name mixed doubles is apt, as youll find the pairings of unlikely elements on these tracks aligning nicely… before they are slowly pried apart. of course, thats when things truly get interesting

manmakemusic continue their adventure into the musical hinterland beyond bass, techno, house and garage with two cuts from new signing, trikk. hailing from porto, portugal, and a recent addition to londons kaleidoscopic music scene, trikk effortlessly marries old school charm with new school edge. a-side, ‘jointly’, takes robert hood-esque jackin’ techno drums and unites them with twisted garage vocal chops and relentless bass. on the flip, ‘i fall down’ takes things down a gear with an emotive mix of cavernous synth lines, heartbroken vocals and skipping drums which harks back to the finest moments of broken beat.

franck roger returns with a sharp three-track release alongside talented countryman terence:terry. the pairs this is now ep blasts us into 2012, a bold and edgy step-change for real tone off the back of vintage, stateside-vibed >after all< (with mandel turner). gritty opening number hustling peoples keeps things on edge, just as they should be. roger and terrys title track accelerates smoothly into funky, retro-tinged house flow, complimented by echoes of female vocal. final offering beaucoup la fête returns to moodier territory, a 4-4 stomp with real chaotic charm and buzzing fx. together, roger and terry have produced something very, very special for real tone. their >this is now ep< is a striking record asking the listener, very simply, to dance hard and dance now… early djs supports and feedbacks by damian lazarus, tania vulcano, lee foss, ralph lawson, heidi, james priestley (secretsundaze), ryan crosson, deetron, clive henry, josh wink, magda, dj t., sasha, efdemin, d julz, jimpster, matthew dear, ellen allien, hernan cattaneo, nick curly, michel cleis, sascha dive, boris werner, le loup...

awesomely executed take on uk bass, footwork, house & techno - highly recommended

this 5 tracker features upcoming artists from brooklyns diverse & vibrant psychedelic synth scene. nice touchs get off/on starts things off & is followed by lbjs traffic. out 2 pay homage to the 11 hr rivette epic, pam finchs dopesmuggler gets a lectric mix, & sand doons keeps it deep.

love, magic and transformation. acoustic, synthetic and mystical. experience and imagination. cinematic sparkle sounds, sensual, emotive and relaxed. listening to rain and drinking too much champagne. into the waves is all these things and more — a pop vocal record for our time.

a new 4 track ep by legowelt on the nice signals label. north sea spectrum unites the misty shores of the hague with the wind swept coastline of the north east of england. dedicated late night techno broodings for off-shore oil rig workers and channel island detectives seeking international crime syndicates. check!

sometimes things turn out different than planned. that also applies for remixes one does for other labels: >the lost remixes< features two personal favourite remixes by sascha dive, now seeing a release on vinly for the first time. side a offers a gentle & laid-back remix for neggheads >being< that warms-up every dance-floor just like a sweet summer breeze. sascha dives remix for the basil classic >time to be free (free world)< on side b is a lot more four to the floor and with its almost epic groove yet proven another track that you’ll hear in clubs at any time of the night. listen up!

excellent deep house groove , incl daniel solar remix (dikso)

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

fine deep house pack w/ guest appearances by kai alce, lady blacktronika, anton zap a.o

imugem orihasam, offers a deep and introspective relation ep continuing the sistrum tradition of quality underground sounds for the true appreciators. track a1 - relation sets the tone right away, with soothing strings guiding a classic rhythm section into hypnotic territory. slowly, a tapestry of delicate textures evolves around the beats - sure to be the soundtrack to many a late night dancefloor. close your eyes and get inside your mind with this one. track b1 - “mirage” continues down the path of hypnotic, deep techno laid out on relation, toughening up the beats just a bit, with a subby kick and crisp back beat that gives it some extra punch. swirling, phasing strings and metallic, ring modulated tones float above a sub bassline that is sure to make things rumble. this is pure love from japan. track b2 - overlap lights (p. scott edit) - sistrum’s main man, patrice scott, steps in to offer his interpretation of imugem’s “overlap lights,” bringing forth his signature ultra deep, slow building future/classic detroit sound. patrice’s edit is a warm, delicate, masterful arrangement of imugem’s tones and textures - there never seems to be too much going on, just enough to convey his intended message, ever-so-effectively. clutter is left by the wayside and the listener is left with the perfect palette of sonic delights.

exceptional debut album!!early support by groove magazine, resident advisor, oliver hafenbauer, gerd janson, lawrence more to come.. sometimes things in life never occur as planned. so it happend to edward aka. gilles aiken, when the berlinbased artist was looking for a new apartment. somehow he found himself moving to a very small fairy tale-like village called teupitz in brandenburg, germany. it was there were edward rediccovered his deep love for nature and silence. with long extensive walks along the teupitzer lake he got to the bottom of his true love for house music. within the silence he could still hear a distant pulse of basslines ringing. and after release for giegling, blooming soul and white it was time to make the next step. with all the nature surrounding him, he finally felt able to get all the music out. music which ended up as his debut album, simply called teupitz

dean sunshine smith does it again with the first release of 2012. number 3 in the globally successful sunshine reworks series. this time he re-ignites the classic mid tempo soul shuffler oh honey by 70s british soul group delegation. pitching things up and reworking the vocals to create an infectious slice of soulful sunshine deep house sweetness!! track two and we keep the soul with an edge of funk as dean takes us on a love odyssey. reworking & re-interpreting the classic t-connection weekender anthem. this is a new version that intentionally pays homage to the original but also reconstructs the vocals to give the tune a new twist and creating a killer deep house floorfiller. as always this release has some big support from some of the scenes key players. another sure fire slice of sunshine magic from the soulshare records stable and this wonderful series.

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

mike shannon steps up to the cityfox ltd plate and squeezes the jack juice on his latest offering for cityfox ltd entitled foxology. its a 3 track session of deep jazzy basslines and smooth cuts. we start things off with >foxology feat. flowing<, a twistedly deep smoothy of a house cut with shannons signature shuffle groove and warped dynamic basses featuring some wicked blues harp action from amsterdams flowing. foxologys b-side is home to >foxwell< and >zukunftstrasse<, the former being a rather hot number bubbling with bouncing bass, whereas >zukunftstrasse< is even more laid back and down tempo, while still playing your mind with it’s sonic insight to the distant future.

joashs debütalbum >dont fear it, fight it< hat sich längst zu einem geheimtipp entwickelt. es hatte sich in die herzen vieler produzenten gespielt, einige von ihnen hat es zu remixen inspiriert. drei davon finden sich auf dieser maxi: arto mwambe (aka lauer/brontosaurus), tj kong & nuno dos santos (compost) und till von sein (suol/morris audio/baalsaal).

nice price deal !!! as they say, all good things come to those who wait … and here it finally is: the 2nd release from black key records, made by andy ash and backed up with a remix by ugly drums - which is the exact opposite of ugly. great release!

limited yellow coloured vinyl!
robosonic return in full effect with the stunning and beautiful >the sweetness<, after a brief hiatus with regards to original releases the berlin duo present this unique track to the masses via jackmode.
j phlip takes the remix duties head on with a great interpretation, the american dj and producer shows her flair for all things bass with a track drenched in low-end loveliness. a tough kick underpins a hypnotic loop that rolls out into a spacious breakdown. the final drop doesnt disappoint, big drums and dark percussion make this new version a surefire dancefloor work out.

upon.you’s next release steps out of europe and into the americas with a timeless ep from brooklyn natives tim xavier and camea. tim, a passionate producer and co-owner of manmade mastering in berlin, has teamed up in full force with camea for this stunning work, who is the owner of one of america’s most successful techno labels: clink recordings. camea has driven herself onto international stage in recent years and is touring around the world as a successful djane. the a side, brooklyn sunset 1989, is an emotionally charged piece stemming from vintage 80s melodies and broken drum patterns, epically beautiful and romantic. in contrast, the b side features man vs. universe, a dance floor driver that uses tims powerful percussive techniques to achieve an energetic crate essential. the duo takes things down for the last two installments, diamonds hitting the groovy a.m. spot.

in a short time, north londoner randomer has built up a small but heavy hitting catalogue of work – releasing >brunk< (on hessle audios 116 & rising compilation), the acid tinged >obtuse< and most recently his dance mania-on-steroids ep for numbers, >real talk<. his debut for hemlock recordings sees him taking things even further back to basics, dropping two heavyweight trax of pure beats and bassline indulgence. a. scruff boxs beats roll heavy but with a crafty, garage skip in their step, giving no clues to the obese bass riff that soon rudely exposes itself, tearing through the track roll by roll. aa. get yourself together more of those trademark, overweight beats with one giant, elasticated bassline. for those who like them large and lovely

chuckie in recent years has achieved success after success with ever increasing tour schedules and also becoming a member of the ever evolving in new djs we trust line up on bbc radio 1. this is the follow up to chuckies let the bass kick ft. lmfao, and is a sign of bigger things to come for chuckie.

two new tracks from gothenburgs shakarchi & straneus coupled with two remixes of liseberg, the enlightened schaffel hymn found on their previous barnhus release. trust us - when the apprehensive first part of something evolves into full on, heartwarming house riff mania,spectacular things happen on the floor.then we have jamison - based around a few simple harmonic elements, this is a lovely warm blanket of sound.no beats,pure bliss and dont you dare call it a dj tool! on the flipside, portable delivers a psychedelic dancehall epic sprinkled with the melodies of the original liseberg.last up, londons mains-hum maestro turns liseberg into a colourful, echoing dub ballad.

the first release in 2012 is coming from funk e better known as laurentiu gavrila hailing from romania.he just started to put out his first productions recently like for example on the desolat x mas sampler.his productions caught our full attention immediately though and we are pretty sure that you will hear a lot more interesting things coming fom this young man in the near future. he has his very own style of producing already and when you listen to his music you also might guess why he has chosen this artist name - the man for sure got the funk!

next up on nang we-re honoured to introduce -2am- the new ep by sheffield scenester producers hiem along with another of the cities finest fellows- phil oakey of the human league. the original track is a synth pop powerhouse about those twilight club nights that you never wanted to end- complete with a epic guitar solo- computer blips and glistening synth rushes. oakey is as accomplished as ever- bringing his signature tones to full effect and it-s nothing short of sensational. to accompany- we-ve enlisted the skills of four producers to give us some cracking remixes. fernando and toomy disco are first up- and they ramp up the tempo and vibe for a loose -n- live rework that-s perfect for the dance floor. hiem themselves give it a go with his -1984 rework- bringing 80-s power drums- van halen solos and some atmospheric subtleties to the table. nang-s italian uber-cool-cat brioski steps up next giving us the italian angle with a brilliant walking bassline and luscious wide mix. the heels of love bring us frivolous percussion and stomping disco beats layered between emosh pads and slick keys. ace. to finish- our good friends free school take things down a notch for a beautiful leftfield excursion that only they could pull off.

two killer dub versions of mass x from fudge fingas what works ep. check! vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. meanwhile, juju & jordash slow things down and get lost in a shimmering bass odyssey. very special, limited package with gold and red screen printed sleeves.

coloured vinyl! sometimes it takes a while, but in the end all good things come together! that’s exactly what happend when our favourite murat tepeli got in touch with us and presented these outstanding tracks. from the jacking >çiftetelli< via deeper territories >mastika< to the core of electronics >good< the whole spectrum from one of germanys most gifted producers! welcome murat!! thanks for purchasing a real copy!

space ranger is back on patrol. moving house and a peaktime affair plus a couple of remixes coming from moscow and barcelona. this is a hell of a 12 inch! another set of remixes (the last one) off of their stunning debut album >what about the magnetic fields?<. this time its moscovians lipelis & simple symmetry from the super hip pompeya who team up for an el debarge-style cosmic funk-pop affair, while barcelona resident barbena takes things the deep-house way. you also get the original and house monster >music< in the package. it doesnt get much better than this.

whereas frozen flower marked his most delicate and emotive release to date, the latest ep from sei a snaps things back onto a futuristic grid of bass-driven club madness. break the pattern is a techno zap-fest featuring a killer hook, precision, laser-cut drums and a rough, rolling groove.
flux blends retro video game sounds with vocal samples, laid out against a psychedelic cha-cha rhythm. this one received early support from martyn who - fresh off his lp release - weighs in with one of his strongest and most playable remixes in recent memory, driving the 8-bit riff into a frenzy, backed by iron-clad beats bouncing atop a megaton sub.. guaranteed crowd-pleaser, this one!
with this release, sei a continues his evolution into one of the most promising talents on the uk scene, reinterpreting the best elements of modern dance music to create a unique and versatile voice.

emerging from the crosstown rebels camp and into the limelight, iranian canadian producer amirali is heading for big things in 2012. launching the year with first single beautiful world, this captivating slice of nu-wave wonky electronic melancholic house has seismic dancefloor appeal.

it has been a while since alex showed up with a follow up on credo, but as you know, good things do not only last for a while, they also require some time to be finished and this result is more than worth to wait for! hollywood bullet might remind you on some classic trackss essence and it kicks of impressively however, the real >go< follows after huuuge breaks and now its your turn to free the animals on the dancefloor with this weapon that contains not only plenty of energetic basslinesounds, but also load of colors which could be missed these days on often very monotonous technoproductions. alex is not afraid of bringing colors, and not only shades on credo, and so does heartattack: a really weird and unexpected groove on 120 bpm only, even kind of housy, but the upbuilding rythmic noises bring the track back to where it comes from, and this is nothing else as pure bassic energy. very very big release in our eyes!

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

mrsk on skudge! their fellow swede and long time friend drops his debut on the label and smashes it! tip! the label say: in time, skudge releases the second and rugged release on skudge presents. mrsk does things in his own style, where stripped, waveish sounds builds onto each other.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

fresh from a full tour of the uk, django django are pleased to announce the release of new single ‘default’ through because music. the band have been busy doing great things in the east london bedroom slept in by their drummer, producer and de facto leader david maclean. amongst those great things is stand-out album track ‘default’ and of course their self-titled debut lp which will grace us with its presence on january 30th. vincent neff (singer and guitarist), jimmy dixon (bassist), and synth operator tommy grace make up the quartet, who met at art school in edinburgh. django django’s story looks set to be a long and compelling one going by early response to their debut record. by banging together their thirst for adventure and their exacting high standards, they’ve produced an album that seems to have everything, but on which everything never seems too much.

here we have the next instalment from the ever popular underground music imprint. this time they bring the 145bpm pressure and take things a little darker by signing two monster tracks from monstroso.

for our third instalment on mars recordings weve decided to go for transparent green vinyl! this has nothing to do with aliens, we wouldnt be that obvious, but its the colour chosen by the artists and we think it looks like another great mars package. musically, well edward oberon & paul t have conjured up 2 awesome tracks. >love is< is absolutely sublime with its warm bass line and delicate sounds to the breakdown, while keeping the drums nice and punchy, a great tune to roll out. >absolute< harks back to the deep sounds of old good looking by the likes of big bud or tayla. ridiculous sub-lo bass and deep strings, this is how mars do things and we feel its another quality 12 inch where the music & the packaging matter.

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

new solo album from crayon fields frontman

human woman is the new signing on hfn music, made up of two very promising artists from iceland, gisli galdur (aka galdur) of prolifi c icelandic band trabant, and producer jón atli helgason (aka sexy lazer). coming together in the studio the pair have forged a fantastic fusion of modern electronic pop, with their debut single, ‚delusional‘. the ep release, which will be accompanied by a music video, serves as a teaser for the upcoming debut album, which is planned for spring 2012. taking influences right across the board, the duo have cooked up a sensual, catchy indie-dance track that’s pleasingly reminiscent of the 80s, yet carries a great modern sheen thanks to the production skills of human woman. cinematic, feel-good music for travelling, for friends, for living! denmark‘s wonder kid kasper bjørke is fi rst to get his hands on ‚delusional‘, introducing a straighter groove which leans more towards the slow-housedisco fraternity in this slow-cooking remix. berlin‘s vincenzo then takes it even more cosmic with a bass heavy club mix that maintains the slow tempo yet elevates us to a more hypnotic plain. clean, pure elements greet us in this luxury remix from the emotive house master. zev from wolf & lamb then has his say with his ‚brooklyn beatdown mix‘, breaking up the beats and tripping things out with some real old-school new york vibes.

for the inside job ep, beat pharmacy leaves dub in the background, taking things in a more straight ahead house and techno direction. percussive without being oppressively banging, melodic without excessive nooding, tracks like >inside job< and >comet< nevertheless retain the intense attention to subtle detail that define moellers more dubwise productions. >in a trance in france< takes things into a deeper more hypnotic realm, and >hootin & tootin< toughens things up with an ominous analog bassline and thunderous kick drums sure to ignite a mainroom dancefloor. yet even here, echoes and melodic elements sweep through the mix, lest you forget who was working the boards.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

very strong release with the boogie / slomo-house groover >hope< and the irresistable hook and dub/disco feel of the more uptempo >no delay<. excellent production, this will stir up things for sure. winner!

incl 3 x 12 inches sksrltd003, sksrltd004 & sksrltd005 with tracks and remixes by oliver klein & kolombo, whebba, tony rohr, carlo lio, hermanez and many more

studyman gives us his definition of minimal techno through decabarets third release. pushing forwards the standards set in the early 90s by some detroit pioneers studyman developed his own style that will stir things up on the dancefloor. four proper techno tools in the vein of robert hood and early jeff mills.

home recordings is back after home008 the well played asso ep by austriasmartin mueller. this time we have a grounded techno 4 tracker on home009 ripped on by global top players likeone of the most popular us producerslester fitzpatrick. on the a1 side mattias fridell aka mechanical heros our new member from sweden start things off with some energising beats. a tricky vocal in the track fits exactly to the mechanical rythms of this pumpin cut. a2 is vegim the man behind tmm records and planet rythm artist andreas florin teamed up here to deliver a primetime killer. dancefloor madness from a new collab as epexcted. b1 kicks off with martin mueller in a asso remix by chicagos bad boy lester fitzpatrick. he delivers a tight remix with a great dynamic on his debut for the austrian label. b2 is the return of wrexfords based finest lee holman to home recordings. his track comes up with a well programmed bd. what runs asolutley winning to the spacey scary synth line. thats real deep magic.

youre about to feel (again) why every record ka§par does for groovement takes a while to be released. simply because special things need time to emerge. after whatchadoos underground buzz hes been intensely working in the studio, readying his most mature record yet. inspired by the great masters and their legacy, ka§par pushes himself towards the future with his own galactic sound palette. ode to the ancients ep is certainly his most accomplished, consistent and authorial work to date

pocket is the snappy moniker of nyc based richard jankovich. as the principal creative mind behind the based electro-pop band burnside project he is not just well versed in top notch original productions but also is an indemand remixer (beck, radiohead, kristin hersh, of montreal, elk city, joanna newsom and many others). his debut release on tirk is the ever-so-tuneful >here in noiseville<. in this first single richard pairs up with steve kilbey from the australian rock band the church. steve adds his thoughtful and emotively melancholic vocal to the classic, quality synth-pop backing track. first up on the remix duties is sister-label nangs favourite german golden boy, justus köhncke. justus takes things on the dancefloor route, by adding bigger synths and some rushent-esque linn drum. both justus vocal and dub versions are included. next up, italian brioski fixates on the groove by adding his slap bass and driving groove.

tiefschwarz beckon you to dominate my sensation with their latest single on the boys own souvenir. and with its booty-shaking, bass-bumpin funky house vibe, its ripe for the plucking on dancefloors across the world. the title track kicks things off with a dual attack of bass and hi-hat, urging us into its insistent groove. then it takes a firmer hold with its sultry vocals, shaking us around a bit in the process. with the carnivalesque atmosphere of seamy summers in rio, we welcome a funky percussive workout into the mix while a synthline squiggles around us. the breaks saucy vocal instructs us to allow entry into our very own adventure, percussion building to peak levels. lost in the moment, none can resist this kick, and bodies are lost in a dizzying swirl. b-sides include an energetic reimagining from the labels very own frankfurters, chris wood and meat, fresh from their recent smash triple s ep on souvenir and pascal feos & frank leicher manage to dial up the sleaze quotient, murking out the bassline and distorting the vocal.